I've also experimented with the Toxic Biohazard synthesizer as well, as it features heavily in "The March", driving the bass line. But I'm yet to get it to do anything more interesting, for now PoiZone and Sawer seem to be the sure way to create some really thick, hard hitting synth sounds. As for the drums (In case anybody hasn't realised yet I'm using FL Studio here) the FPC is working great for layering my kits, and it works very nicely with the Piano roll. I think it allows around about 64 pads for a kit, and with an option for many, many different layers within one pad it's perfect for building some great DnB drum kits. Thinking about it, I'm also thinking of having FPC layer and trigger my effects...
I'm going to spend a bit of time mastering the use of automation waves, particularly removing and then replacing bass or treble within the drum tracks to add some dynamics when building up to chorus sections. I don't want to overplay that trick though, since it can become quite old very easily.
If anyone has any tips on mastering Toxic Biohazard, be sure to drop me an email since I'm pulling my hair out using it!
Anyway, I have a surprise for you all. Remember I was just talking about a track called "The March"? Well, I wasn't going to do this but here's the track via soundcloud! Hang on....
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:| Okay. I'll wait.
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I'll get there eventually. W-hay! It's done! Right, here's the soundcloud plugin-ma-bob for "The March".